Steve Larkman Interview: From Punk Roots to Ballads and Studio Mastery

Your latest ballad, Words Are Not Enough, beautifully explores the inadequacy of words in expressing love. What inspired this particular track, both lyrically and musically?

Musically, it all started with a piano arpeggio that I just couldn’t shake from my head, paired with an acoustic guitar picking part. I built the track gradually in my studio using Pro Tools 9. Lyrically, the song reflects on life and love over the years—things I wouldn't have been able to write about at 15. I believe my song ideas live inside me, just waiting to be called upon. Ironically, they’re put into words—even though words are never quite enough.

You’ve collaborated with Hilton Rosenthal, known for Paul Simon’s Graceland. How did that come about, and what did you learn from working with him and Split Sounds?

Hilton and his son Nick launched Split Sounds in 2019 with a project called Cover In A Week. They looked for unique takes on classic tracks, and my version of Be My Baby was chosen. That led to a full album, The Steve Larkman Cover In A Week Session, mastered by Nick and released on Hilton’s label. The biggest lesson? Great music requires incentive, conviction, and most of all—hard work.

From punk beginnings with The Crack to swing with The Casablanca Boys, your musical journey is vast. How have these different genres shaped your current sound?

For me, it’s always been about the songs and voices. Even as a punk rocker, I was a Sinatra fan—I even saw him live at Royal Albert Hall! I’ve drawn inspiration from legends like Dylan, Bowie, Led Zeppelin, The Beatles, and Elvis. Performing these artists’ songs in clubs and bars shaped my style and understanding of musical storytelling.

With over 30 singles and five albums, how do you stay creatively inspired?

I don’t have a specific formula, but I get inspired by things I see, hear, and even smell in everyday life. These spark ideas that grow into songs. That said, making records is 1% inspiration and 99% perspiration—especially when you’re doing it all yourself.

Your vocals on Words Are Not Enough carry a strong emotional weight. How important is vocal expression in your songwriting?

Thank you! Vocals are everything—they must convey the meaning behind the lyrics. But I admit I sometimes get so caught up in building the instrumental parts that I don’t emphasize the vocal enough during production. It takes serious effort to balance all elements when recording solo.

Tell us about your studio, Angel Recording Studio, in Saltend. How has it influenced your career?

I built Angel Studio with help from friends and local engineers, initially to support my income. Over time, I recorded numerous bands, both local and from other towns. Notable artists who recorded there include The Housemartins, Mick Ronson, and Simon Townshend. It taught me a lot and marked my transition into music production.

UK-based singer-songwriter Steve Larkman has spent decades crafting songs that blend raw emotion with musical mastery. From his punk beginnings to heartfelt ballads and dance-rock anthems, his evolution is both inspiring and authentic. We sat down with Steve to discuss his latest release, creative process, and unforgettable moments in music.

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You’ve worked with Virgin Records, EMI, and producers like Mick Ronson. What’s one unforgettable moment from those experiences?

Sitting in the studio with Mick Ronson for a week while working on a project with Simon Townshend was unforgettable. Ronson was incredibly talented and kind—a truly generous soul.

What can fans expect from your upcoming single Broken?

Broken is a real banger! It’s got a dance/rock vibe and an awesome piano solo to close it out. I’m genuinely excited about this one—tell your friends!

Songs like Statues and All Your Lovers touch on introspection. Is your songwriting becoming more personal?

Actually, I think it’s less personal now. I try to capture feelings we all share. For instance, All Your Lovers opens with a line about playing your favorite song—something most of us can relate to. Moving forward, I hope my songs become even more musical and memorable.

You distribute music via SONY and Routenote. How has that shaped your independent release strategy?

I love being in control—from writing and performing to cover art and promotion. Some say I worry too much, but that’s just who I am. Independence gives me the freedom to execute my creative vision completely.

What advice would you offer to emerging artists trying to balance authenticity with industry demands?

Avoid trends and stick with your own flow. Never trade your musical soul for anything. Be brave. As Bowie said, if you feel slightly out of your depth, you’re probably on the right track.

If you could revisit any point in your career, what would you change?

When Virgin’s A&R man Bob Wooler asked if I wanted to work with more Virgin acts, I said no—I didn’t think I could cope. Looking back, I wish I’d had more faith in myself and said yes.

Finally, what does success in music mean to you now?

Success is releasing music that I still love after months of work—and then getting positive feedback. That feeling never gets old.